. . . thoughts, questions, and analyses that relate to . . .

harmony (classical, jazz, Impressionist,

of other cultures . . . )

musical time (explorations of early

Stravinsky, and modern jazz)

form . . . orchestration . . . film music

. . . for composers, improvisers and musicians . . .

who really think about the music they love

who transcend genre

who believe that, sometimes, the most

valuable pursuits are those undertaken

with no aim . . .

other than the pleasure

of the path itself